Inspired by the Brazilian film Black God, White Devil, this painting reflects on the paradox of duality—the coexistence of good and evil, light and shadow. The film’s figures, the “evil saint” and the “good bandit,” embody the yin and yang in all things, reminding us that each contains its opposite.
Here, the subject moves through mundane acts—coffee, phone, daily routine—while simultaneously navigating the layered tension of duality. A quiet “observer” shines at the center, witnessing without judgment.
Gradient squares in complementary colors recall elemental forces—fire and water, heat and cooling—as well as the sunsets and oceans of Brazil. Architectural borders reference colonial pillars, symbols of history’s lasting imprint, while abstract forms breaking beyond them suggest liberation.
Created largely in Brazil and completed in New York, the piece draws on reference images captured by photographer Dave Krugman, who helped bring the vision to life. The bold color palette and general composition pays homage to the film’s iconic poster
“The Great Paradox” is a meditation on duality: the balance in all things, where good resides in the bad and the bad resides in the good.
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Physical Painting with frame by frame digitally animated embellishments.
Acrylics, Pastel, and Charcoal on Canvas
32" x 54"
(2025)
